“Sometimes I get inspired just by garbage,” says Machine Dazzle, the artist/costume designer tapped to create the look of Las Vegas’ new Opium show.
Speaking during a break in the wardrobe shop he’s created behind the Opium stage at The Cosmopolitan of Las Vegas’ Rose. Rabbit. Lie., Dazzle chats with me about jumpsuits, ear plugs, space theater, and what inspires his designs.
Everyone needs a gimmick. Mine is slicing off the top of a champagne bottle with a butter knife. For CliQue Bar & Lounge head mixologist Antony Sazerac, it’s setting fire to his bar cart while mixing drinks.
Sazerac showed off this particular trick recently while mixing me the “Circle of Doom” cocktail.
“It’s a mixture of Gosling’s Black Strip, Del Maguey Vida Mezcal, Ancho Reyes, to give it a little bit of a kick, and vanilla bean cordial.” — Antony Sazerac
CliQue, headed by nightlife vets Ryan Labbe and Jason “JRoc” Craig, celebrated its second anniversary at The Cosmopolitan of Las Vegas in February. I thought I’d share a snippet of “Circle of Doom” video along with a link to the story at Vegas Seven.
A vending machine that serves only champagne. A high-rise gaming and social club for whales. A $30,000 wine decanter that serves no other purpose but to create Instagram-worthy moments during your meal.
These are just a few of the amenities that comprise Vegas Magazine’s most recent “Best of Las Vegas” list. In the current issue, I wrote about the aforementioned perks (and more) found inside some of the Strip’s most unique properties, including The Cosmopolitan of Las Vegas, Wynn Las Vegas, and Mandarin Oriental.
My favorite from the list are the Boulevard Penthouses at The Cosmopolitan — 21 recently unveiled suites between the 71st and 75th floors of the resort’s Boulevard Tower. The views of the Strip are (as you would expect) unrivaled, and the suites are all feature perks such as “24-hour butler service, in-suite fitness studios, pool tables, private terraces, and $10,000 toilets.”
Also featured in this issue is my story on Chef Kaoru Azeuchi and Kaiseki Yuzu, a hidden gem on Las Vegas’southeast side. I did not know what Kaiseki was before I was assigned the story, and it was amazing speaking with the chef (through interpreter Martin Koleff) about its history, how it’s prepared and served, and why people love it.
“There are mushrooms that only grow in certain seasons, and fish that are caught in certain months,” says Koleff. “[For example], salmon and salmon rolls will be in season all winter. Every week new food comes in. The more time that [Azeuchi] has, he can prepare a better course. He needs at least three days so he can figure out what he can make.”
That three-day window is why it takes so long to get a reservation at Kaiseki Yuzu. The word it out, and people are demanding to experience it. You can read the full story online or on newsstands.
Hakkasan Group resident headliner NGHTMRE returns to Las Vegas this month, and I had the opportunity to speak with him for a few minutes about his to-do-list for 2018. In the interview — up now at Vegas Seven, we talk about NGHTMRE’s collaborations with A$ap Ferg and Dillon Francis, who he wants to work with, and what he’s going to do about the unfinished tracks piling up in his studio. You can also check out NGHTMRE’s schedule of upcoming Vegas gigs at the Hakkasan Group website.
There was a time when Las Vegas was quick to demolish pieces of its history in favor of something shiny and new. I don’t think the city is completely past that, but it’s slowed considerably, especially in the downtown area.
In recent years, we’ve become more attached to older buildings and signage, preserving, enhancing, and in many cases, reimagining them for new businesses. One of today’s best examples is the Fergusons Motel on Fremont Street. Originally built for post-WWII families who were taking to the road, the property – known at the time as the Franklin Motel – eventually fell victim to the same economic misfortune and rising crime that plagued downtown from the 1970s to the early 2000s.
Now the motel has been given a new life by the Downtown Project. On Vegas Seven sister site, DTLV.com, I explored the history of the Fergusons and spoke with, among others, the surviving family of its original owners. Through these interviews, we explored Las Vegas’ days as a boomtown, what led to the downtown bust, and how committed people are to preserving the motel’s legacy.
October saw the release of filmmaker John Carpenter’s latest studio album, Anthology: Movie Themes 1974-1998, a collection of memorable scores from his career. To promote the album, Carpenter is going on tour with his band, and the first stop is The Joint at Hard Rock Hotel and Casino in Las Vegas on Sunday, October 29.
I previewed Carpenter’s concert for Vegas Seven after sampling the album, using excerpts from an interview provided by his publicist. As a director, Carpenter has been out of sight since 2010’s The Ward (a film few people saw), but he’s gained a new following thanks to two successful electronic albums, Lost Themes and Lost Themes II. In fact, he’s seems to be enjoying this “second career” at an age in which most people have settled into retirement. At 69, not only is Carpenter embarking on a tour, but he’s also lined up to score the
I’ve been a fan of Carpenter’s films since I was a kid, getting hooked on The Fog, Halloween, and They Live. In the 90s I discovered The Thing and Christine, and I remember seeing Village of the Damned, Escape from L.A.,Vampires, and Ghosts of Mars in the theater. Shockingly, I didn’t see Escape from New York, Big Trouble in Little China, or Prince of Darkness until I was an adult — for some reason, I just never stumbled upon the films when they were on cable, and I passed them over without much thought at the video store.
But now I’ve seen them all, and while I can’t say they’re all great, they’re all patently Carpenter, right down to his synth scores. In some cases, the scores are better than the movies themselves, and that’s what gets me so excited to see him live.
How does Las Vegas put on a happy face in the wake of this week’s tragedy? It’s a dilemma I examine in my latest piece for The Hollywood Reporter.
As the Strip struggles to find normalcy — with an active crime scene at the Route 91 Harvest festival site and multiple memorials springing up along Las Vegas Boulevard – I went down to the “Welcome to Fabulous Las Vegas” sign, where Elvis is still putting on a show despite all that’s happened.
“We have to become normal again and start to do the things we normally do to make Vegas happen,” explains Elvis impersonator Mark Rumpler, who has been down at the sign all week in his white jumpsuit and sunglasses.
The city’s chief concern, in the meantime, is assuring the public that its casinos, hotels, and concerts are safe. But Steve Adelman of the Event Safety Alliance says there’s a risk of overreaction to a tragic scenario that no one could have predicted.
“We’re talking about Las Vegas, which already does more than just about every other American city to keep its guests safe and secure,” he says.