Everyone needs a gimmick. Mine is slicing off the top of a champagne bottle with a butter knife. For CliQue Bar & Lounge head mixologist Antony Sazerac, it’s setting fire to his bar cart while mixing drinks.
Sazerac showed off this particular trick recently while mixing me the “Circle of Doom” cocktail.
“It’s a mixture of Gosling’s Black Strip, Del Maguey Vida Mezcal, Ancho Reyes, to give it a little bit of a kick, and vanilla bean cordial.” — Antony Sazerac
CliQue, headed by nightlife vets Ryan Labbe and Jason “JRoc” Craig, celebrated its second anniversary at The Cosmopolitan of Las Vegas in February. I thought I’d share a snippet of “Circle of Doom” video along with a link to the story at Vegas Seven.
Hakkasan Group resident headliner NGHTMRE returns to Las Vegas this month, and I had the opportunity to speak with him for a few minutes about his to-do-list for 2018. In the interview — up now at Vegas Seven, we talk about NGHTMRE’s collaborations with A$ap Ferg and Dillon Francis, who he wants to work with, and what he’s going to do about the unfinished tracks piling up in his studio. You can also check out NGHTMRE’s schedule of upcoming Vegas gigs at the Hakkasan Group website.
There was a time when Las Vegas was quick to demolish pieces of its history in favor of something shiny and new. I don’t think the city is completely past that, but it’s slowed considerably, especially in the downtown area.
In recent years, we’ve become more attached to older buildings and signage, preserving, enhancing, and in many cases, reimagining them for new businesses. One of today’s best examples is the Fergusons Motel on Fremont Street. Originally built for post-WWII families who were taking to the road, the property – known at the time as the Franklin Motel – eventually fell victim to the same economic misfortune and rising crime that plagued downtown from the 1970s to the early 2000s.
Now the motel has been given a new life by the Downtown Project. On Vegas Seven sister site, DTLV.com, I explored the history of the Fergusons and spoke with, among others, the surviving family of its original owners. Through these interviews, we explored Las Vegas’ days as a boomtown, what led to the downtown bust, and how committed people are to preserving the motel’s legacy.
October saw the release of filmmaker John Carpenter’s latest studio album, Anthology: Movie Themes 1974-1998, a collection of memorable scores from his career. To promote the album, Carpenter is going on tour with his band, and the first stop is The Joint at Hard Rock Hotel and Casino in Las Vegas on Sunday, October 29.
I previewed Carpenter’s concert for Vegas Seven after sampling the album, using excerpts from an interview provided by his publicist. As a director, Carpenter has been out of sight since 2010’s The Ward (a film few people saw), but he’s gained a new following thanks to two successful electronic albums, Lost Themes and Lost Themes II. In fact, he’s seems to be enjoying this “second career” at an age in which most people have settled into retirement. At 69, not only is Carpenter embarking on a tour, but he’s also lined up to score the
I’ve been a fan of Carpenter’s films since I was a kid, getting hooked on The Fog, Halloween, and They Live. In the 90s I discovered The Thing and Christine, and I remember seeing Village of the Damned, Escape from L.A.,Vampires, and Ghosts of Mars in the theater. Shockingly, I didn’t see Escape from New York, Big Trouble in Little China, or Prince of Darkness until I was an adult — for some reason, I just never stumbled upon the films when they were on cable, and I passed them over without much thought at the video store.
But now I’ve seen them all, and while I can’t say they’re all great, they’re all patently Carpenter, right down to his synth scores. In some cases, the scores are better than the movies themselves, and that’s what gets me so excited to see him live.
I attended Angel’s show in July, we spoke backstage, and later in length over the phone, discussing everything from acting advice to his magic merchandise, and side projects. But much of our conversation was spent discussing how Angel took creative control of his show (formerly titled Believe and now Mindfreak Live!) and what he plans to do after his deal is up in 2018.
“All my options are open. If my show wasn’t so successful, then I probably would be in a different situation, but because it has really been incredible and I’ve been very blessed to have the type of success that I’ve been bestowed, I’m in a good position to be a free agent.” — Criss Angel
Unlike some who have come before him, Angel isn’t entirely dependent on Las Vegas. Here’s a guy who has a magic empire of television specials, touring shows, and the aforementioned merchandise – maybe we need him more than he needs us?
I’m not going to wager on a scenario, but after seeing his show I hope he decides to stick around. I was in the audience on a Thursday night and the theater was packed, and, as I describe in the article, there are some really die hard fans out there. Additionally, Angel enjoys a lot of local support for his chartable efforts, HELP (Heal Every Life Possible), and the Johnny Chrisstopher Children’s Charitable Foundation, an organization named after his son and dedicated to research and treatment for pediatric cancer.
Our conversation lasted much longer than was necessary for the article, so I have a lot of excerpts leftover, and I wanted to share one in this post. At one point I asked Angel when Las Vegas started to feel like home, and this was his response:
“When I moved out of a hotel, because I lived in Planet Hollywood for a couple of years, and I lived at the Luxor for a few years. It was very difficult, because you couldn’t just go downstairs. It was very challenging. But at that point, I was a completely different person than I am today. I was a very, very different person. And with age comes wisdom and change, and I’m just a different human being, and I prefer a much more quiet life. So for me, when I moved away from that I kind of felt a creative sense of balance, because where I live you don’t hear Vegas. You see it, but you don’t hear it. It’s very tranquil, it’s much more soothing, and it’s just a different life.” — Criss Angel
“The Transitional Shelter program allows single women and families additional time (up to 1 year) to access programs and to achieve goals. Each resident is assigned a case manager who assists her in establishing a case plan that will help her move toward self-sufficiency. Program goals are designed to aide residents in finding employment that pays a living wage, securing stable housing, saving money and accessing needed services. Each working resident in the Transitional Housing Program is required to save at least 30% of her income each month. 164 beds are also available in this program consisting of 84 beds for families and 80 beds for single women.”
“Feast of Friends 2” will bring together chefs and mixologists from trendy spots such as Sparrow + Wolf, The Venetian’s Yardbird, Delmonico Steakhouse, and Herbs & Rye, among others. Tickets to the September 19 dinner go on sale August 31.
“When the Pros Hit the Residential Scene” is a look at southern Nevada’s housing market, why it’s healthier than in years past, and what that means for the professional athletes looking for the right neighborhood to settle down. In conversations with Berkshire Hathaway HomeServices president and COO Gordon Miles, and Greater Las Vegas Association of Realtors President Dave Tina, I learned which parts of town – and more specifically, which master-planned neighborhoods – would appeal to athletes earning the NHL minimum wage ($650,000 for the 2017-2018 season), as well as those pulling in multi-million dollars salaries. In both interviews, we also talked about the incoming Raiders players, when that team relocates from Oakland to Las Vegas.
“Vegas Golden Knights Finds Its Home Team Spots” is a quick roundup of seven places where fans can watch the new hockey team outside of T-Mobile Arena. I didn’t say “outside of their homes” because southern Nevada’s only cable provider doesn’t currently carry the network on which the Golden Knights games will air. That’s a contentious issue right now for fans, and discussions are ongoing. With the puck dropping October 10 at T-Mobile Arena, people are starting to get anxious, but if you feel like watching the team in a fan-friendly atmosphere, this story will give you some options.
The August 24 issue of Vegas Seven is online and on newsstands now.
It’s never too late in the season to put out another dayclub review. In this week’s issue of Vegas Seven magazine, I tour The Venetian’s TAO Beach, one of the original pool parties on the Las Vegas Strip. If you think all pools are the same — a DJ blasting EDM, champagne sprays, assorted beefcakes and bikini models — you’ll see that TAO Beach has found ways to mix it up.
“When you’re together this long, you’ve got to do what you can to keep the relationship fresh. Tao Beach relies on a strategy that’s done well for many couples: role-playing.”
Like other pools I’ve toured this summer (read my stories on Marquee Dayclub, Flamingo’s GO Pool, Daylight Beach Club, and Rehab) I try to highlight the most interesting items on the menu, and the music programming. TAO’s lineup is among the more unique offerings on the Strip, with up-and-comers and local favorites such as Eric D-Lux and CLA on tap alongside vets such as Jermaine Dupri.
Check out the TAO Beach tour in this week’s Vegas Seven online or on newsstands.
“It just seems to get crazier and crazier everywhere I go,” he said. No kidding. Here’s a guy having the time of his life, but as I wrote in the story, he’s not a party-all-the-time 21-year-old. Garrix is constantly working, to the point in which he admits not being able to turn away from music even in those brief moments where he could take a break.
In the story, Garrix also talks about returning to Las Vegas (he first played at Hakkasan back in 2014), which artist he’d love to collaborate with on a new project, and who he’s listening to right now.
You can read the piece, “Martin Garrix Is Never Not Working,” here.
In this week’s issue of Vegas Seven magazine you can read my 24/7 and After Dark columns, highlighting everything to do in Las Vegas from August 17-23. Here are a few of my favorite picks for the next seven days:
Bryan Ferry at The Cosmopolitan of Las Vegas. I’m not as familiar with his solo stuff as I am his work with Roxy Music, although “Is Your Love Strong Enough” is a helluva song. (Aug. 17)
Big Boi at Drai’s Nightclub. Caught him at the Palms pool years back after the release of Sir Lucious Left Foot, would love to hear something live from his latest, BOOMIVERSE. (Aug. 18)
Las Vegas Reyes de Plata. The alter ego of the Las Vegas 51s minor league baseball team, Reyes de Plata makes their final appearance versus the Salt Lake Bees at Cashman Field. The rebranding is part of a MiLB multicultural fan engagement campaign. (Aug. 22)